Kinds of Light
Selected sequels from filmography of James Incandenza.
Cage II. B.S. Latrodectus Mactans Productions. Cosgrove Watt, Disney Leith; 35 mm.; 120 minutes; black and white; sound. Sadistic penal authorities place a blind convict (Watt) and a deaf-mute convict (Leith) together in 'solitary confinement,' and the two men attempt to devise ways of communicating with each other. LIMITED CELLULOID RUN; RERELEASED ON MAGNETIC VIDEO.
Cage III — Free Show. B.S. Latrodectus Mactans Productions/Infernatron Animation Concepts, Canada. Cosgrove Watt, P.A. Heaven, Everard Maynell, Pam Heath; partial animation; 35 mm.; 65 minutes; black and white; sound. The figure of Death (Heath) presides over the front entrance of a carnival sideshow whose spectators watch performers undergo unspeakable degradations so grotesquely compelling that the spectators' eyes become larger and larger until the spectators themselves are transformed into gigantic eyeballs in chairs, while on the other side of the sideshow tent the figure of Life (Heaven) uses a megaphone to invite fairgoers to an exhibition in which, if the fairgoers consent to undergo unspeakable degradations, they can witness ordinary persons gradually turn into gigantic eyeballs. INTERLACE TELENT FEATURE CARTRIDGE #357-65-65.
Incandenza, certainly, not known for his originality. See Romney and Sperber, 'Has James O. Incandenza Ever Even Once Produced One Genuinely Original or Unappropriated or Nonderivative Thing?' Post-Millennium Film Cartridge Journal, nos. 7-9 (Fall/Winter, Y.P.W.), pp. 4-26.
Cage II. B.S. Latrodectus Mactans Productions. Cosgrove Watt, Disney Leith; 35 mm.; 120 minutes; black and white; sound. Sadistic penal authorities place a blind convict (Watt) and a deaf-mute convict (Leith) together in 'solitary confinement,' and the two men attempt to devise ways of communicating with each other. LIMITED CELLULOID RUN; RERELEASED ON MAGNETIC VIDEO.
Cage III — Free Show. B.S. Latrodectus Mactans Productions/Infernatron Animation Concepts, Canada. Cosgrove Watt, P.A. Heaven, Everard Maynell, Pam Heath; partial animation; 35 mm.; 65 minutes; black and white; sound. The figure of Death (Heath) presides over the front entrance of a carnival sideshow whose spectators watch performers undergo unspeakable degradations so grotesquely compelling that the spectators' eyes become larger and larger until the spectators themselves are transformed into gigantic eyeballs in chairs, while on the other side of the sideshow tent the figure of Life (Heaven) uses a megaphone to invite fairgoers to an exhibition in which, if the fairgoers consent to undergo unspeakable degradations, they can witness ordinary persons gradually turn into gigantic eyeballs. INTERLACE TELENT FEATURE CARTRIDGE #357-65-65.
Incandenza, certainly, not known for his originality. See Romney and Sperber, 'Has James O. Incandenza Ever Even Once Produced One Genuinely Original or Unappropriated or Nonderivative Thing?' Post-Millennium Film Cartridge Journal, nos. 7-9 (Fall/Winter, Y.P.W.), pp. 4-26.
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